A Portrait of The Artist As a Young Man James Joyce

A Portrait of the Artist as a Young Man - Mk World Classics İngilizce Klasik Roman

A day of dappled seaborne clouds.The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the...
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Kargo Ücreti: 45,00 TL
indirimli
98,00TL
Taksitli fiyat: 9 x 12,47TL
9786257289092
1118146
A Portrait of the Artist as a Young Man - Mk World Classics İngilizce Klasik Roman
A Portrait of the Artist as a Young Man - Mk World Classics İngilizce Klasik Roman
98.00

A day of dappled seaborne clouds.


The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?


Kitabın Özellikleri
Hamur Tipi:
1. Hamur
Stok Kodu:
9786257289092
Boyut:
13 x 19,5
Sayfa Sayısı:
96
Basım Yeri:
İstanbul
Baskı:
1
Basım Tarihi:
2021
Kapak Türü:
İnce Kapak
Kağıt Türü:
2. Hamur
Dili:
İngilizce

A day of dappled seaborne clouds.


The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?


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